After World War II, U.S. documentarians engaged in a rigorous rethinking
of established documentary practices and histories. Responding to the
tumultuous transformations of the postwar era--the atomic age, the civil
rights movement, the Vietnam War, the emergence of the environmental
movement, immigration and refugee crises, student activism, the
globalization of labor, and the financial collapse of 2008--documentary
makers increasingly reconceived reality as the site of social conflict
and saw their work as instrumental to struggles for justice. Examining a
wide range of forms and media, including sound recording, narrative
journalism, drawing, photography, film, and video, this book is a daring
interdisciplinary study of documentary culture and practice from 1945 to
the present. Essays by leading scholars across disciplines collectively
explore the activist impulse of documentarians who not only record
reality but also challenge their audiences to take part in reality's
remaking.
In addition to the editors, the volume's contributors include Michael
Mark Cohen, Grace Elizabeth Hale, Matthew Frye Jacobson, Jonathan
Kahana, Leigh Raiford, Rebecca M. Schreiber, Noah Tsika, Laura Wexler,
and Daniel Worden.