Celebrated as new consumers and condemned for their growing
delinquencies, teenage girls emerged as one of the most visible segments
of American society during and after World War II. Contrary to the
generally accepted view that teenagers grew more alienated from adults
during this period, Rachel Devlin argues that postwar culture fostered a
father-daughter relationship characterized by new forms of psychological
intimacy and tinged with eroticism.
According to Devlin, psychiatric professionals turned to the Oedipus
complex during World War II to explain girls' delinquencies and
antisocial acts. Fathers were encouraged to become actively involved in
the clothing and makeup choices of their teenage daughters, thus
domesticating and keeping under paternal authority their sexual
maturation.
In Broadway plays, girls' and women's magazines, and works of
literature, fathers often appeared as governing figures in their
daughters' sexual coming of age. It became the common sense of the era
that adolescent girls were fundamentally motivated by their Oedipal
needs, dependent upon paternal sexual approval, and interested in their
fathers' romantic lives. As Devlin demonstrates, the pervasiveness of
depictions of father-adolescent daughter eroticism on all levels of
culture raises questions about the extent of girls' independence in
modern American society and the character of fatherhood during America's
fabled embrace of domesticity in the 1940s and 1950s.