From his early career as an art critic during the sixties to his art
historical writings of recent decades, Michael Fried has remained one of
the most controversial and fascinating art writers of the late
twentieth-century. The theoretical and historical aftereffects of
Fried's art criticism continue to be played out in contemporary art and
criticism, while his art historical studies impinge on many of the most
pressing recent debates in art history and theory. This collection
brings together for the first time a range of scholarly responses to
Fried's art criticism, art history, and poetry. It illuminates Fried's
distinguished contribution to the study of art, while taking his work in
exciting new directions. This book will be of significant interest to
art historians, those engaged in contemporary art and criticism, as well
as critical and visual theory. First published in 2000, it remains the
only anthology devoted to analysis of the work of this prodigious
scholar.