Together, and separately, black and white Baptists created different but
intertwined cultures that profoundly shaped the South. Adopting a
biracial and bicultural focus, Paul Harvey works to redefine southern
religious history, and by extension southern culture, as the product of
such interaction--the result of whites and blacks having drawn from and
influenced each other even while remaining separate and distinct.
Harvey explores the parallels and divergences of black and white
religious institutions as manifested through differences in worship
styles, sacred music, and political agendas. He examines the
relationship of broad social phenomena like progressivism and
modernization to the development of southern religion, focusing on the
clash between rural southern folk religious expression and models of
spirituality drawn from northern Victorian standards.
In tracing the growth of Baptist churches from small outposts of
radically democratic plain-folk religion in the mid-eighteenth century
to conservative and culturally dominant institutions in the twentieth
century, Harvey explores one of the most impressive evolutions of
American religious and cultural history.