This collection of scholarly essays reassesses the Beat Generation
writers in mid-century American history and literature, as well as their
broad cultural impact since the 60s from contemporary critical,
theoretical, historical, and interdisciplinary perspectives. The
traditional canon of major writers in this generation is expanded to
include women and African Americans. The essays offer critiques of media
stereotypes and popular cliches that influence both academic and popular
discourse about the Beats, connect the literature of the Beat movement
to music, painting, and film, and ultimately open new directions for
study of the Beats in the 21st century.