Theatre is often said to offer unique insights into the nature of
reality, but this obscures the reality of theatre itself. In Real
Theatre, Paul Rae takes a joined-up approach to the realities of theatre
to explain why performances take the forms they do, and what effects
they have. Drawing on examples ranging from Phantom of the Opera and
Danny Boyle's Frankenstein, to the performances of the Wooster Group and
arthouse director Tsai Ming-liang, he shows how apparently discrete
theatrical events emerge from dynamic and often unpredictable social,
technical and institutional assemblages. These events then enter a
process of cultural circulation that, as Rae explains, takes many forms:
fleeting conversations, the mercurial careers of theatrical characters
and the composite personae of actors, and high-profile products like the
Hollywood movie Birdman. The result is a real theatre that speaks of,
and to, the idiosyncratic and cumulative experience of every theatre
participant.