This volume contains an unprecedented meeting of two major traditions,
each of which are forms of careful engagement with Dante's Commedia: the
Lectura Dantis, and the illustrations of this work. The Lectura Dantis,
initiated by Giovanni Boccaccio in the fourteenth century, consists of a
canto by canto study of Dante's poem. The history of Commedia
illustration has equally deep roots, as illuminated manuscripts of the
text were being produced within decades of the work's completion in
1321. While both of these traditions have continued, mostly
uninterruptedly, for more than six hundred years, they have never been
directly brought together. In this volume, Dante scholars take on a
single canto of the Commedia of their choosing, reading not just the
text, but also exploring the illustrations of their selected text to
form multifaceted and multi-layered visual-textual readings. In addition
to enlivening the Lectura Dantis, and confronting the illustrated
tradition of the poem in a new fashion, these studies present a variety
of approaches to studying not just the Commedia but any illustrated
literary work through a serious inquiry into the words themselves as
well as the images that these words have inspired.