Over the last several years the term place-specificity and its variant,
place-specific has occurred frequently in relation to installations,
permanent public art works, and public interventions. While
place-specificity is now a recognised term, within many texts
place-specific is often indiscriminately exchanged with site-specific,
implying that the two terms are synonymous. Based on theory and
curatorial practice, this research explores a range of perspectives on
the role of place-specificity within socially engaged public art
practice. The study examines the difference between site and place and
how place influences perceptions of specific locations through memory,
history and experience and explores place as a subject, an artistic
influence, and a social and cultural signifier. The research reflects on
the potential of place-specific public art to celebrate unique cultural
differences, inspire international collaboration, and provide a forum
for local distinctiveness in the face of globalization. The
relationships between public art, site, space, and place explored in
this work will be of interest to those in the fields of art, geography,
cultural studies and architecture.