The master of literary theory takes on the master of the detective
novel
Raymond Chandler, a dazzling stylist and portrayer of American life,
holds a unique place in literary history, straddling both pulp fiction
and modernism. With The Big Sleep, published in 1939, he left an
indelible imprint on the detective novel. Fredric Jameson offers an
interpretation of Chandler's work that reconstructs both the context in
which it was written and the social world or totality it projects.
Chandler's invariable setting, Los Angeles, appears both as a microcosm
of the United States and a prefiguration of its future: a megalopolis
uniquely distributed by an unpromising nature into a variety of distinct
neighborhoods and private worlds. But this essentially urban and spatial
work seems also to be drawn towards a vacuum, an absence that is nothing
other than death. With Chandler, the thriller genre becomes
metaphysical.