This study looks at Psalms of Solomon 17 and 18 in both their early
Jewish and immediate literary contexts. The prominence of messia-nism in
the two psalms has sometimes overshadowed their connec-tions with the
rest of the Pss. Sol. corpus. This study identifies and discusses a
number of thematic connections between pss. 17 and 18 and the earlier
psalms, and it also examines the unique messianic portrait painted in
psalm 17. Its distinctive portrayal is compared to that found in other
pre-Christian, Jewish messianic texts, particularly those of the Dead
Sea Scrolls. The messianism of psalm 17 is then compared to the
messianism that surrounded Jewish messianic clai-mants at the turn of
the era, including Jesus, as he is portrayed in the Gospels. While Pss.
Sol. 17 and the other, pre-Christian, Jewish messianic texts have much
in common, this study highlights two im-portant and unique aspects of
the psalm: the non-militant character of the Messiah described therein,
and the absence of the temple or priesthood from its portrayal of the
Messiah's rule. Such a portrait of the Messiah coheres in many important
respects with the portrayal of Jesus in the Gospels.