In this book, Eric Trenkamp addresses a question that many American
cinema fans may have asked themselves over the past 20 years - "why is
everything superheroes now?" Although it might be easy to dismiss
Hollywood's last two decades of comic book movies as nothing more than
overly simplified morality tales, the reality is much more complex. The
pervasiveness of the comic book genre throughout American culture,
Trenkamp argues, perpetuates a subtextual myth about what it means to be
an "American" in the contemporary world. At the core of this myth is the
image of who Hollywood considers to be the ideal American hero - the
White male savior. This book explores the evolution of this
ever-changing image of White superiority in American cinema, which can
be traced from the earliest silent Westerns, through decades of war
films, and up to the modern day comic book genre. Through provocative
and engaging analysis of a wide variety of Hollywood films, Trenkamp
demonstrates the industry's history of popularizing White supremacy and
the ways in which these films can act as propaganda to support various
dehumanizing U.S. policies, both abroad and at home. Scholars of film
studies, comic studies, genre studies, American studies, race studies,
pop culture, and history will find this book particularly useful.