What do Charlie Chan and William Faulkner have in common? This study
starts out from the assumption that there may well be a continuity
between literature and popular culture in the racialized images they
perpetuate. Looking at twentieth century American literature, film,
music, and art, this book suggests that strategies of exclusion and of
resistance are mutually constitutive. Where a 1920s Western audience
yearned for exoticism, Josephine Baker donned a scanty costume of bird
feathers and enchanted a white audience by singing to them from within a
gilded cage. Looking at African American, Asian American, Chicano/a, and
Native American cultural productions as constituting a rainbow
coalition, this study seeks to chart out the terrain of a multi-ethnic
nation, a nation to which, as El Vez, the Mexican Elvis, asserts,
everyone is welcome - even the mainstream itself.