While most discussions of race in American theater emphasize the
representation of race mainly in terms of character, plot, and action,
Race in American Musical Theater highlights elements of theatrical
production and reception that are particular to musical theater.
Examining how race functions through the recurrence of particular racial
stereotypes and storylines, this introductory volume also looks at
casting practices, the history of the chorus line, and the popularity of
recent shows such as Hamilton.
Moving from key examples such as Show Boat! and South Pacific
through to all-Black musicals such as Dreamgirls, Bring in 'da Noise,
Bring in 'da Funk, and Jelly's Last Jam, this concise study serves as
a critical survey of how race is presented in the American musical
theater canon.
Providing readers with historical background, a range of case studies
and models of critical analysis, this foundational book prompts
questions from how stereotypes persist to "who tells your story?"