A study of Rabelais (?1494-1553) as a literary artist giving special
attention to the form and language of his fiction. Coleman uses a
genuinely literary approach, using some of the techniques of stylistic
analysis. She avoids the two extremes of approaching Rabelais either as
a solemn sixteenth-century humanist who expressed profound truths in
simple allegories or as a mere joker, drunk with words. Instead she sees
him as finding a particular form - Menippean satire - in which he could
achieve a balance between seriousness and irony, involvement and
detachment, direct address to the reader and distance, and in which he
was able to develop his own unique language. This study will interest
students and teachers of French and European literature and Renaissance
studies.