`Not bloody likely'
Ever since Pygmalion opened in London in April 1914 it has proved a
very controversial play, from the (then) shocking language, to arguments
about its correct ending. Critical interpretations have been similarly
disputatious, encompassing views of the transformation of the
impoverished Eliza Doolittle by phonetics expert Henry Higgins as either
a story of economic and social liberation, or an example of the
perpetuation of male control and self-interest. With subsequent film and
musical adaptations and many stage revivals, Pygmalion remains one of
Shaw's most engaging, provocative, and accessible plays.
This new edition of Pygmalion includes Shaw's definitive text, with
both Preface and Sequel, and provides the most comprehensive scholarly
treatment of the play to date, containing:
- a substantial introduction with biographical information on Shaw
- detailed discussion of the genesis and sources of the play
- varying interpretations, and a lengthy international stage history.
- textual notes on each page explaining language, allusions, and
staging
- Appendices with Shaw's discarded scenes for the play, the British
Censor's 1914 report, and texts of all stage and film endings of
Pygmalion.