Originally published in 1984, this book argues that there is an
inherited suspicion from the nineteenth-century that the historical
novel after Scott is essentially a 'costume' affair, a dashing tale of
times of old, suited only to minor talents and undiscerning readers.
Though Scott inaugurated the period of the novel's greatest
accomplishments, the specific tradition he founded seems to peter out
into relative sterility. This book challenges such a view, and in doing
so, offers a major reappraisal of the mainstream Victorian novel. Peter
Smith argues that Scott's abiding concern was with the nature of
historical change, not in remote but in modern times, and that a similar
concern is equally fundamental to Dickens, Flaubert, Henry James and
Conrad. In a series of readings of Little Dorrit, L'education
sentimentale, Bouvard et Pecuchet, The Princess Casamassima, The
Ambassadors and Nostromo, he offers a fresh interpretation not only of
these works but of their authors' careers as a whole showing how each of
them accommodated personal perceptions and stories of private life to an
examination of public values and political upheavals.