This book explores how an audience of men serving sentences in an
English prison responded to viewing five contemporary British prison
films. It examines how media representations of prison vary in style and
content, how film can influence public attitudes, and how this affects
people in prison. The book explains the ways in which film acts as a
power resource, presenting an ideological vision of criminal justice.
The audience used these films to map the social terrain of prison,
including issues of power and resistance; race and racism; corruption
and the illicit economy; and staff-prisoner relationships, themes which
are explored in the films screened. The authors argue that media
consumption is one of the ways in which people in prison construct and
maintain an ideal of the prisoner culture and what it is to be a
'prisoner'. The book also reveals the ways in which audience members'
media choices and readings are part of the ongoing process of
constructing their self-identity. This book illuminates the complex ways
in which media consumption is an integral part of social power, cultural
formation and identity construction. Recognising and engaging with
audiencehood offers one potential route for supporting more progressive
penal practice. This book speaks to those interested in prisons, crime,
media and culture, and film studies.