Obscured behind concrete and razor wire, the lives of the incarcerated
remain hidden from public view. Inside the walls, imprisoned people all
over the world stage theatrical productions that enable them to assert
their humanity and capabilities. Prison Theatre and the Global Crisis of
Incarceration offers a uniquely international account and exploration of
prison theatre. By discussing a range of performance practices tied to
incarceration, this book examines the ways in which arts practitioners
and imprisoned people use theatre as a means to build communities,
attain professional skills, create social change, and maintain hope.
Ashley Lucas's writing offers a distinctive blend of storytelling,
performance analysis, travelogue, and personal experience as the child
of an incarcerated father.
Distinct examples of theatre performed in prisons are explored
throughout the main text and also in a section of Critical Perspectives
by international scholars and practitioners.