This important and first-of-its-kind collection addresses the emerging
challenges in the field of media art preservation and exhibition,
providing an outline for the training of professionals in this field.
Since the emergence of time-based media such as film, video and digital
technology, artists have used them to experiment with their potential.
The resulting artworks, with their basis in rapidly developing
technologies that cross over into other domains such as broadcasting and
social media, have challenged the traditional infrastructures for the
collection, preservation and exhibition of art. Addressing these
challenges, the authors provide a historical and theoretical survey of
the field, and introduce students to the challenges and difficulties of
preserving and exhibiting media art through a series of first-hand case
studies. Situated at the threshold between archival practices and film
and media theory, it also makes a strong contribution to the growing
literature on archive theory and archival practices.