This book analyzes how Second World War heritage is being reframed in
the memorial museums of the post-socialist, post-conflict states of
Croatia, Bosnia and Herzegovina, and Serbia. It argues that in all three
countries, a reluctance to confront undesirable parts of their national
histories is the root cause explaining why the state-funded Second World
War memorial museums remain stuck in the postsocialist transition. In
most cases, Second World War museums, exhibitions, and displays
conceived in the Yugoslav period have been left unchanged. However,
there are also examples where new sections were added to the old ones
and there are a small number of completely reconceptualized permanent
exhibitions. The transitional position of the Second World War museums
has made it possible to view these institutions as historical formations
in their own right. The book will appeal to students and academics
working in the fields of heritage and museums studies, memory studies,
and cultural history of Southeast-Europe.