An album which distilled a genre from the musical, cultural, and social
ether, Portishead's Dummy was such a complete artistic achievement
that its ubiquitous successes threatened to exhaust its own potential.
RJ Wheaton offers an impressionistic investigation of Dummy that
imitates the cumulative structure of the album itself, piecing together
interviews, impressions of time and place, cultural criticism, and a
thorough exploration of the music itself.
The approach focuses as much on the reception and response that Dummy
engendered as it does on the original production of the album. How is
that so many people have, collectively, made a quintessential headphone
album into a nightclub album? How have they made the product of a niche
local scene into an international success? This is the story of how an
innovative, experimental album became the iconic sound for the better
part of a decade; and an aesthetic template for the experience of music
in the digital age.