The many con men, gangsters, and drug lords portrayed in popular culture
are examples of the dark side of the American dream. Viewers are
fascinated by these twisted versions of heroic American archetypes, like
the self-made man and the entrepreneur. Applying the critical skills he
developed as a Shakespeare scholar, Paul A. Cantor finds new depth in
familiar landmarks of popular culture. He invokes Shakespearean models
to show that the concept of the tragic hero can help us understand why
we are both repelled by and drawn to figures such as Vito and Michael
Corleone or Walter White.
Beginning with Huckleberry Finn and ending with The Walking Dead,
Cantor also uncovers the link between the American dream and frontier
life. In imaginative variants of a Wild West setting, popular culture
has served up disturbing-and yet strangely compelling-images of what
happens when people move beyond the borders of law and order. Cantor
demonstrates that, at its best, popular culture raises thoughtful
questions about the validity and viability of the American dream, thus
deepening our understanding of America itself.