This book examines the interface between Polish popular music and screen
media against the background of Polish history, cinema, and popular
culture and situates that interface in a local as well as global
context. It looks at Polish musicals, biographical films about
musicians, documentary films and, finally, music videos. The author
draws attention to the immense popularity of musical comedies in Polish
interwar cinema, the enduring appeal of musical genres during the period
of state socialism, despite their low status in film criticism, and the
re-birth of musicals in the 2010s. Mazierska also discusses the most
important stars, directors and authors of songs presented in Polish
films, and points to the effect of technological changes on inception
and transformation of music-centred genres of screen media, including
the effect of YouTube on their growth and preservation. The book is
informed by the question of how parochial and universal is Polish
popular music and its screen representation.