Most critics agree that Euripidean tragedy addresses a wealth of
political questions, and that it successfully incorporates and engages
with a variety of ancient Greek poetic traditions. Nevertheless, these
topics and questions have generally been treated separately. In this
book, Jonah Radding contends that the political issues addressed in
Euripides' tragedies are inextricably related to his employment of
choral lyric genres such as paean and epinician, and to his engagement
with canonical poetic texts such as the Iliad and Aeschylus'
Agamemnon.
We see that Euripides consistently recasts traditional poetic genres and
texts in order to dramatize and illuminate political questions that are
central to his tragedies. At the same time, Radding suggests that the
dramatic politicization of the poetic tradition also serves to question
the manner in which ancient Athenians understood and utilized these
various poetic forms in their own polis. Ultimately, we see that the
relationship between poetry and politics in Euripidean tragedy is truly
reciprocal, for both aspects illuminate--and are illuminated by--the
other, each becoming a more powerful force in the process.