A critical appraisal of art's entanglement in technological
encryption
"We are all inside this thing--but how?" This book explores 21st-century
art's reckonings with the technosphere. Outlining the concept of
encryption that underlies this infrastructural condition, Samman
explores motifs of confinement, capture and burial, as well as access
and exclusion from secured domains. Poetics of Encryption excavates
the art of our times in relation to these motifs, as it quests through
caves, cables, codes, satellites and icons. Toggling between enlightened
concern and occult dreaming, it surveys a counterintuitive aesthetic of
the interface.
Nadim Samman (born 1980) is Curator for the Digital Sphere at KW
Institute for Contemporary Art, Berlin. In 2019 he was First Prize
recipient of the International Award for Art Criticism (IAAC). Major
curatorial projects included the 4th Marrakech Biennale (2012), the 5th
Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale
(2017).