In this innovative study of the Argonautica, Robert Albis examines
structural elements of the text that recreate phenomena associated with
composers and performers of epic much earlier in the Greek tradition.
Such phenomena include the effect of divine inspiration on the
performer, and the empathy thus created among the audience, performer,
and characters of the poetry. Albis focuses on the invocations of the
Argonautica, arguing that these passages reveal the poet's attempts to
associate himself and the audience with the activity within the poem.
Albis' approach to the Argonautica is important because it makes use of
theoretical approaches to poetry while still concentrating on the place
of the poet and epic poetry in contemporary Greek culture, and on the
tradition the poet had inherited. This fascinating study, which includes
analyses of the Homeric influence on Apollonius and Apollonius'
influence on Virgil, will be of interest to scholars of ancient epic,
Greek poetry, and Hellenistic Greek culture.