Cornwall's representation on screen has been dominated by the romantic
coastal edge, from the earliest days of the moving image to the recent
BBC adaptation of Winston Graham's maritime adventure series Poldark.
Drawing on art history to illuminate the construction of Cornwall on
film, Rachel Moseley examines newsreels, contemporary art and amateur
films, and mainstream film and television. Stressing the sociopolitical
significance of the moving image, Moseley investigates the absence of
Cornwall's interior on film, arguing that the emphasis on the coast in
Cornwall's screen history has had a significant and ongoing economic
impact on the area. The first book to focus on the region's construction
in the moving image, Picturing Cornwall is sure to generate new lines
of inquiry across both film studies and human geography.