Today's pianists are expected to play music of three centuries on a
single instrument: Steinway's design from the late 1800s. Other types of
pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly
being copied or restored, but they are played almost exclusively by
specialists in "Historical Performance." David Breitman has been
introducing Oberlin Conservatory students to historical keyboards since
1991, and in this book he focuses on the music he cares about most
deeply and the problems he has found most perplexing.
He begins by acknowledging the dilemma of confronting historical
repertoire with modern instruments, then shows how to apply insights
from period instruments to practical problems on any piano, including
the relationship between melody and accompaniment and the use of the
pedal. The central portion of the book discusses the pianos and piano
music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as
the special place of the clavichord in eighteenth-century keyboard
culture. A wide range of musical examples demonstrates how composers
were influenced by the instruments they knew, and how that understanding
can help today's performers. The book concludes with a passionate plea
for individual creativity and autonomy, authentic voices for our own
time.