This new edition of Physical Theatres: A Critical Introduction
continues to provide an unparalleled overview of non-text-based theatre,
from experimental dance to traditional mime. It synthesizes the history,
theory and practice of physical theatres for students and performers in
what is both a core area of study and a dynamic and innovative aspect of
theatrical practice.
This comprehensive book:
- traces the roots of physical performance in classical and popular
theatrical traditions
- looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme
Bel
- examines the contemporary practice of companies such as Théatre du
Soleil, Complicite and Goat Island
- focuses on principles and practices in actor training, with reference
to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika
Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood.
Extensive cross references ensure that Physical Theatres: A Critical
Introduction can be used as a standalone text or together with its
companion volume, Physical Theatres: A Critical Reader, to provide an
invaluable introduction to the physical in theatre and performance.
New to this edition:
- a chapter on The Body and Technology, exploring the impact of
digital technologies on the portrayal, perception and reading of the
theatre body, spanning from onstage technology to virtual realities
and motion capture;
- additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk
and Mike Pearson;
- focus on circus and aerial performance, new training practices,
immersive and site-specific theatres, and the latest developments in
neuroscience, especially as these impact on the place and role of the
spectator.
