This anthology is remarkable not only for the selections themselves,
among which the Schelling and the Heidegger essays were translated
especially for this volume, but also for the editors' general
introduction and the introductory essays for each selection, which make
this volume an invaluable aid to the study of the powerful, recurrent
ideas concerning art, beauty, critical method, and the nature of
representation. Because this collection makes clear the ways in which
the philosophy of art relates to and is part of general philosophical
positions, it will be an essential sourcebook to students of philosophy,
art history, and literary criticism.