Since the beginnings of Italian vernacular literature, the nature of the
relationship between Francesco Petrarch and his predecessor Dante
Alighieri has remained an open and endlessly fascinating question of
both literary and cultural history. In this volume nine leading scholars
of Italian medieval literature and culture address this question
involving the two foundational figures of Italian literature.
The authors examine Petrarch's contentious and dismissive attitude
toward the literary authority of his illustrious predecessor; the
dramatic shift in theological and philosophical context that occurs from
Dante to Petrarch; and their respective contributions as initiators of
modern literary traditions in the vernacular. Petrarch's substantive
ideological dissent from Dante clearly emerges, a dissent that casts in
high relief the poets' radically divergent views of the relation between
the human and the divine and of humans' capacity to bridge that gap.
Contributors: Albert Russell Ascoli, Zygmunt G. Baranski, Teodolinda
Barolini, Theodore J. Cachey, Jr., Ronald L. Martinez, Giuseppe
Mazzotta, Christian Moevs, Justin Steinberg, and Sara Sturm-Maddox.