Newly translated, unfinished works about power, class conflict, and
artistic inspiration by Russia's greatest poet.
Alexander Pushkin, Russia's foundational writer, was constantly
experimenting with new genres, and this fresh selection ushers readers
into his creative laboratory. Politics and history weighed heavily on
Pushkin's imagination, and in "Peter the Great's African" he depicts the
Tsar through the eyes of one of his closest confidantes, Ibrahim, a
former slave, modeled on Pushkin's maternal great-grandfather. At once
outsider and insider, Ibrahim offers a sympathetic yet questioning view
of Peter's attempt to integrate his vast, archaic empire into Europe. In
the witty "History of the Village of Goriukhino" Pushkin employs parody
and self-parody to explore problems of writing history, while
"Dubrovsky" is both a gripping adventure story and a vivid picture of
provincial Russia in the late eighteenth century, with its class
conflicts ready to boil over in violence. "The Egyptian Nights," an
effervescent mixture of prose and poetry, reflects on the nature of
artistic inspiration and the problem of the poet's place in a rapidly
changing and ever more commercialized society.