Peter Lorre described himself as merely a 'face maker'. His own negative
attitude also characterizes traditional perspectives which position
Lorre as a tragic figure within film history: the promising European
artist reduced to a Hollywood gimmick, unable to escape the murderous
image of his role in Fritz Lang's M. This book shows that the life of
Peter Lorre cannot be reduced to a series of simplistic oppositions. It
reveals that, despite the limitations of his macabre star image, Lorre's
screen performances were highly ambitious, and the terms of his
employment were rarely restrictive. Lorre's career was a complex
negotiation between transnational identity, Hollywood filmmaking
practices, the ownership of star images and the mechanics of screen
performance.