Performing Transversally expands on Bryan Reynolds' controversial
transversal theory in exciting ways while offering groundbreaking
analyses of Shakespeare's plays - Hamlet, Othello, Macbeth, Taming of
the Shrew, Titus Andronicus, Henry V, The Tempest, and Coriolanus - and
textual, filmic, and theatrical adaptations of them. With his
collaborators, Reynolds challenges traditional readings of Shakespeare,
re-evaluating the critical methodologies that characterize them, in
regard to issues of cultural difference, authorship, representation,
agency, and iconography. Reynolds demonstrates the value of his
'investigative-expansive mode, ' outlining a 'transversal poetics' that
points toward a critical future that is more aware of its subjective
interconnectedness with the topics and audiences it seeks to engage than
is reflected in most Shakespeare criticism and literary-cultural
scholarship.