This wide-ranging and ground-breaking book, especially relevant given
Brexit and renewed Scottish independence campaigning, provides in-depth
analysis of ways Scottishness has been performed and modified over the
centuries. Alongside theatre, television, comedy, and film, it explores
performativity in public events, Anglo-Scottish relations, language and
literary practice, the Scottish diaspora and concepts of nation, borders
and hybridity.
Following discussion of the 1320 Declaration of Arbroath and the real
meanings of the 1706/7 Treaty of Union, it examines the differing
perceptions of what the 'United Kingdom' means to Scots and English. It
contrasts the treatment of Shakespeare and Burns as 'national bards' and
considers the implications of Scottish scholars' invention of 'English
Literature'. It engages with Scotland's language politics -rebutting
claims of a 'Gaelic Gestapo' - and how borders within Scotland interact.
It replaces myths about 'tartan monsters' with level-headed evidence
before discussing in detail representations of Scottishness in domestic
and international media.