Performing Brains on Screen deals with film enactments and
representations of the belief that human beings are essentially their
brains, a belief that embodies one of the most influential modern ways
of understanding the human. Films have performed brains in two chief
ways: by turning physical brains into protagonists, as in the "brain
movies" of the 1950s, which show terrestrial or extra-terrestrial
disembodied brains carrying out their evil intentions; or by giving
brains that remain unseen inside someone's head an explicitly major
role, as in brain transplantation films or their successors since the
1980s, in which brain contents are transferred and manipulated by means
of information technology. Through an analysis of filmic genres and
particular movies, Performing Brains on Screen documents this neglected
filmic universe, and demonstrates how the cinema has functioned as a
cultural space where a core notion of the contemporary world has been
rehearsed and problematized.