This volume presents the first comprehensive academic study of the
history and development of performance art in the former communist
countries of Central, Eastern and Southeastern Europe since the 1960s.
Covering 21 countries and more than 250 artists, this text demonstrates
the manner in which performance art in the region developed concurrently
with the genre in the West, highlighting the unique contributions of
Eastern European artists to the genre. It offers a comparative study of
the genre of performance art in countries and cities across the region,
examining the manner in which artists addressed issues such as the body,
gender, politics and identity, and institutional critique. As the first
comprehensive history of the subject, this text is essential for those
in the field of performance studies, or those researching contemporary
Eastern European art. It will also be of interest to those in Slavic
studies, art history and visual culture.