This book examines necropolitics and performance art, with a particular
focus on the black body and the African diaspora.
In this book, Myron M. Beasley situates artists as cultural workers and
theorists who illuminate the political linkages between their own and
others' specific locales. The focus is an interrogation of the political
systems that dictate and determine the value of lives (and decide which
lives matter) through a lens of performance and art. Beasley highlights
how the performances of rupture, which are of artistic, and historical
significance, reveal both strategies of survival and promises of
possibility. Artists and curators examined include Jelili Atiku, Giscard
Bouchotte, Nona Faustine, Vanessa German, Simone Leigh, Nathalie
Anguezomo Mba Bikoro, Ebony G. Patterson, and Dianne Smith.
The volume is an ideal research and reference book for students and
scholars of Contemporary Art, African Studies, and Performance Theory.