In the beginning there was noise. Drumming, the world's most ancient
instrumental tradition, re-emerged explosively in the concert music of
the twentieth century as music for percussion, involving drums and many
other kinds of noisemakers. The music that resulted has spanned an
expressive and intellectual gamut: from Cage, Varèse, and Cowell came
the first ear-splitting sounds of an American percussion revolution that
began in the 1930s; from Stockhausen, Ferneyhough, and Xenakis we have
music whose intellectual demands are matched by a vibrant physicality;
Feldman gave us gently unfolding structures; John Luther Adams finds
music within the earth itself. The Percussionist's Art: Same Bed,
Different Dreams examines this music through the eyes of a performer.
The book is a practical philosophy, looking not just at the big ideas
behind these and other pieces, but also at how those ideas find
expressionin sound. Foreword written by Paul Griffiths.
Contains a Compact Disc of Steven Schick performing eight musical works
that he discusses in detail in the book. Composers include John Luther
Adams, Brian Ferneyhough, Michael Gordon, David Lang, Edgard Varèse,
Charles Wuorinen, and Iannis Xenakis.
Steven Schick is the world's leading exponent of solo percussion music
involving multiple instruments. He has commissioned more than one
hundred piecesfrom renowned composers including David Lang, Brian
Ferneyhough, and Roger Reynolds. He was a founding member of the Bang on
a Can All-Stars (1992-2002) and Artistic Director of the Centre
International de Percussion de Genève (Switzerland, 2002-4). He teaches
at the University of California, San Diego, where he directs the
percussion group "red fish blue fish."