This edited collection is the first book-length critical study of the
Showtime-Sky Atlantic television series Penny Dreadful (2014-2016),
which also includes an analysis of Showtime's 2020 spin-off City of
Angels. Chapters examine the status of the series as a work of
twenty-first-century cable television, contemporary Gothic-horror, and
intermedial adaptation, spanning sources as diverse as eighteenth and
nineteenth-century British fiction and poetry, American dime novels,
theatrical performance, Hollywood movies, and fan practices. Featuring
iconic monsters such as Dr. Frankenstein and his Creature, the "bride"
of Frankenstein, Dracula, the werewolf, Dorian Gray, and Dr. Jekyll,
Penny Dreadful is a mash-up of familiar texts and new Gothic figures
such as spiritualist Vanessa Ives, played by the magnetic Eva Green. As
a recent example of adapting multiple sources in different media, Penny
Dreadful has as much to say about the Romantic and Victorian eras as it
does about our present-day fascination with screen monsters.