The idea of the book was central throughout the western European and
the eastern Mediterranean world in the Middle Ages and the
Renaissance.
From the beginning, the word for 'book'--sefer in Hebrew, biblia in
Greek, and liber in Latin--was identified with sacred writings--the Holy
Scriptures of Jews and Christians, who were known as 'people of the
book'. The centrality of the book to medieval thought is reflected
materially in the countless images of books that appear in the
manuscripts of the era, be they in the most treasured, highly decorated,
sacred texts or in devotional and secular works as well.
In Penned & Painted, Lucy Freeman Sandler, one of one of the world's
most respected authorities on medieval art, takes us on a personal but
highly insightful exploration of some of the British Library's most
precious manuscript holdings and describes the many uses and meanings of
these 'books in books'.
Through the fascinating face-to-face discovery of 60 manuscripts, she
investigates the various types and forms of books as depicted in the
era. Penned & Painted is presented in full-color throughout and
includes a high number of images specially photographed for this volume.