This book reviews the circumstances that led to what Paul Renner called
"the inflation of historicism," places his response to that problem in
the context of the Weimar Republic, details how the German attributes
with which he began the project were displaced from the typeface that
emerged in 1927, demonstrates that Futura belongs to a new category of
serif-less roman fonts rooted in Arts and Crafts lettering, and
considers why the specifically German aspects of the project have gone
unrecognized for over seventy years. Renner's writing is compared to
ideas prevalent in early twentieth-century German cultural discourse,
and Futura's design process is placed in the context of Renner's
personal experience of Weimar's social and economic crises. Objective
measurements are employed to establish the relationship between drawings
attributed to Renner and are used to compare features of Futura with
other fonts of the period.