Peter Anthony explores how visionary elements in Luke's Gospel had a
particular influence on early interpretation of the Transfiguration, by
examining the rich hermeneutical traditions that emerged - particularly
in the Latin West - as the Transfiguration was first depicted visually
in art.
Anthony begins by comparing the visual and visionary culture of
antiquity with that of the present, and their differing interpretations
of the Transfiguration. He then examines the Transfiguration texts in
the synoptic gospels and their interpretation in modern scholarship, and
the reception of the Transfiguration in 2 Peter, the Apocalypse of Peter
and the Acts of Peter, Tertullian and Origen. Proceeding to look at
interpretations found in the Greek East and the Latin West, Anthony
finally discusses the earliest visual depictions of the Transfiguration
from the sixth century onward, drawn from a wealth of different art
forms. Anthony concludes that early commentators' and artists'
understanding of how we see and visualise, and therefore, how the
Transfiguration was apprehended, is closer to that of the writers of the
New Testament than many modern interpreters' is.