Born in London in 1930, Harold Pinter holds an undisputed place in the
front ranks of contemporary playwrights. These two plays, Party Time and
The New World Order, work in chilling tandem, each demonstrating the
inevitable brutality that comes with a total conviction of right. Party
Time is a terrifying portrait of the culpable indifference of a
privileged class, of the cruelty engendered in its members by political
disruption, and of their merciless extinction of dissent. At an elegant
cocktail party, a stylish bourgeoisie discusses country clubs and summer
homes, while below in the streets a sinister military presence protects
them from the unmentionable horrors of poverty, vulgarity, squalor. In
The New World Order, two interrogators harass a man whom they condemn
for his questioning of received ideas, and whom we know only as threat
to their closed vision of democracy.