In this definitive work, Margaret Rose presents an analysis and history
of theories of parody from ancient to contemporary times. Her earlier
Parody/Meta-fiction (1979) was influential in broadening awareness of
parody as a "double-coded" device that could be used for more than mere
ridicule. In the present study she both expands and revises the
introductory section of her 1979 text and adds substantial new sections
on modern and postmodern theories and uses of parody and pastiche that
analyze the work of theorists and writers including Bakhtin and Eco.