His monumental sculptures that dominate the landscape have given Erich
Engelbrecht (1928-2011) a place in the history of modern sculpture. His
method of drawing images plastically in the space, and of using these
drawings transformed into solid bodies to occupy whole landscapes, is
unparalleled. The enigma balanced between representationality and the
abstract, the multiplicity of meaning, which invites freely poetic
titles, is essential to the unique charm of Erich Engelbrecht's visual
work. During his search for a place in France where he could present his
large sculptures, he discovered in 2000 the open, meadow-like land, with
the château tucked into a piece of forest behind it. In the park of
Château des Fougis, 29 of his artworks communicate with each other in
such a relaxed way that visitors are prompted to think and to enjoy.