Parages brings together four essays by Derrida on the fictions of
Maurice Blanchot. Three of the essays--"Living On," "Title To Be
Specified," and "The Law of Genre," are by now canonical. The fourth,
"Pace Not(s)" as well as Derrida's 1986 introduction to the French
edition of the book, appear here in English for the first time. This was
a breakthrough publication in the analysis of Blanchot, a notoriously
difficult writer. It is safe to say Derrida contributed much to that
writer's reputation in both French and English, always insisting on the
philosophical pertinence of Blanchot's work to any discussion of the
relationship between literature and critical thought. Through patient
citation, and an ample collocation and readings of Blanchot's various
motifs, Derrida explores a variety of questions, including the limits of
genre, the procedure of crossing out, and the evocation of a
non-dialectical and non-privative negativity. The book marks a crucial
stage in Derrida's itinerary and provides a context for his later
writings on apophatics in such works as On the Name (SUP, 1995) and
his response to Heidegger on death in Aporias (SUP, 1993).