Although his name was associated with fashionable artistic movements of
early twentieth-century Paris -- Cubism, Surrealism, Dadaism, and
Neoclassicism -- Erik Satie followed his own light, never belonging to
any group or adopting a particular doctrine. A true nonconformist, he
struck out on his own path to develop a musical structure reflecting his
unique personality and eccentricities, anticipating artistic tendencies
that others shaped into dogma.
Satie's 1916 ballet Parade, created in collaboration with three
leading artists of the period, was hailed as a "Cubist manifesto." Jean
Cocteau created the idea for the production; Pablo Picasso designed sets
and costumes; and Léonide Massine choreographed the production and
danced in the premiere performance of May 18, 1917. Stripped of
subjective emotion, the work removes basic fragments of melody and
simple harmonies from their conventional associations and recasts them
in unexpected but logical patterns -- a practice similar to the Cubist
painters' transformation of everyday items into novel configurations.
This inexpensive full score will be treasured by music lovers and all
admirers of this uniquely influential twentieth-century composer.