The institution of the pantheon has come a long way from its classical
origins. Invented to describe a temple dedicated to many deities, the
term later became so far removed from its original meaning, that by the
twentieth century, it has been able to exist independently of any
architectural and sculptural monument. This collection of essays is the
first to trace the transformation of the monumental idea of the pantheon
from its origins in Greek and Roman antiquity to its later appearance as
a means of commemorating and enshrining the ideals of national identity
and statehood. Illuminating the emergence of the pantheon in a range of
different cultures and periods by exploring its different manifestations
and implementations, the essays open new historical perspectives on the
formation of national and civic identities.