Who owns the story of an adoption?
Thousands of South Korean children were adopted around the world in the
1970s and 1980s. More than nine thousand found their new home in Sweden,
including the cartoonist Lisa Wool-Rim Sjöblom, who was adopted when she
was two years old. Throughout her childhood she struggled to fit into
the homogenous Swedish culture and was continually told to suppress the
innate desire to know her origins. "Be thankful," she was told; surely
her life in Sweden was better than it would have been in Korea. Like
many adoptees, Sjöblom learned to bury the feeling of abandonment.
In Palimpsest, an emotionally charged memoir, Sjöblom's unaddressed
feelings about her adoption come to a head when she is pregnant with her
first child. When she discovers a document containing the names of her
biological parents, she realizes her own history may not match up with
the story she's been told her whole life: that she was an orphan without
a background.
As Sjöblom digs deeper into her own backstory, returning to Korea and
the orphanage, she finds that the truth is much more complicated than
the story she was told and struggled to believe. The sacred image of
adoption as a humanitarian act that gives parents to orphans begins to
unravel.
Sjöblom's beautiful autumnal tones and clear-line style belie the
complicated nature of this graphic memoir's vital central question: Who
owns the story of an adoption?